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I mondo movies tra pseudo-documentarismo e pluridiscorsività romanzesca
Fata Morgana n.57 (Romanzesco)
The mondo movie has long been a neglected genre, one that resists historical contextualization within canonical frameworks, mainly due to the problematic ideological positions it has conveyed and helped to shape. Beginning with Mondo cane (1961), this trend of sensationalist pseudodocumentaries was accused of perverting the documentary syntax in order to titillate the audience’s instincts, eroding the boundaries of the visible and presenting...
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